Home / Developer handoff
WordPress implementation handoff
Everything in place.
Ready to build.
Page structure, complete copy, packaged imagery and implementation notes for the InRahi WordPress developer.
63Completed visitor pages
28Production detail pages
11Individual people profiles
The ZIP contains the complete click-through site, all referenced local images, page copy, metadata, source code and these implementation notes. Open index.html locally or serve the folder as a static site. This is a prototype; enquiries are handled directly by email, phone or WhatsApp rather than through a website form.
Content decisions
- The 30 September, 12:27 team PDF is the latest team roster. It controls roles and inclusion. Boishali is listed in the creative team; Prashant and Anirudh are not included in that final roster.
- InRahi Films is the main production proposition. Being Out There has a dedicated page, linked through the footer, About and legacy pages, keeping travel and yoga distinct from the main production message.
- The original production-led homepage is restored. The portrait-led founder opening now heads Dhananjay’s story page, followed by seven biographical chapters. The repeated introductory section and timeline were removed; the MG milestone is presented once, in its dedicated feature. Dhananjay is presented as the founder, in the past tense. Sheetal’s name is written as Sheetal Vasudev Ahluwalia. Dhananjay’s existing personal accounts are not repurposed.
- The hand-drawn Himalayan Backcountry map has its own page, reached through Locations. It is historical material rather than current route guidance.
- The MG Majestor page credits Dhananjay as Associate Producer on the record-setting production. It does not claim that he personally holds the vehicle’s Guinness title. The precise record title and measurements are omitted because no certificate was supplied.
- Two Hyundai video references labelled 2025–2026 in the latest resume are the 2024 Live Unleashed episodes. They are listed once, under 2024. MG companion films are grouped on one project page.
- No upcoming Hollywood project, future departure date, price, unconfirmed personal award or unverified testimonial is advertised. The unavailable MTV Love School video link is omitted; the Star vs Food Season 2 page omits a supplied trailer that appears to relate to Season 1. The Great Escape Season 3 presenter name follows the official video metadata: Sarah Jane Dias.
WordPress content model
Create reusable content types for Projects, People, Locations and Services. Preserve each field in content.json. Use category filters for the portfolio; keep each project’s full copy on its own page.
- Project: title, slug, category, production period, production company, location, role, summary, hero image, main video and companion films.
- Person: name, role, portrait, short introduction and biography. Regional associates and creative collaborators remain simple roster entries.
- Location: region, hero image, introduction, location possibilities and archive gallery.
- Shared components: header, footer, service rows, project cards, image viewer, enquiry form and enquiry CTA.
Design & behaviour
Use the provided CSS as the visual specification. The palette is deep green (#183c2c), white and pale lime (#d8ee8b). Headlines use Georgia; body copy uses the system sans-serif stack. No external font files are required. Layouts adapt for mobile, with an accessible menu, visible keyboard focus, reduced-motion support and meaningful image descriptions.
The portfolio supports category filtering and text search. Gallery photographs open in an accessible dialog. Film buttons open the supplied official film links in a new tab. Contact actions use real email, phone and WhatsApp destinations.
Before the WordPress site goes live
- Connect the WordPress enquiry form to the approved mailbox, add delivery validation and a genuine success/error response. The prototype’s mailto behaviour is intentional.
- Replace the prototype-only privacy wording with a policy reflecting the implemented form, hosting and analytics. Keep tracking disabled unless agreed.
- Set production canonical URLs, Open Graph tags and sitemap entries. Remove the prototype’s noindex directive only on the final approved live site.
- Redirect existing About, portfolio, location and contact URLs to their final equivalents. Retire unused template pages on the current WordPress site.
- The sources disagree on HASTPA’s start year (2004/2005/2006), some season numbers and the MG shoot’s February–March dating relative to Dhananjay’s passing. Copy avoids the disputed precision. The Tata Sierra source does not specify exact production dates or a detailed role; do not expand its credit without confirmation.
- The latest supplied profiles support all current team entries. Confirm image reuse and any changed appointments with the owner during final publication review.
Validation
All internal page and asset references are checked, all raster images are decoded, and JavaScript syntax and key interactive behaviours are checked. A browser-based visual pass was not available in this build environment; the WordPress developer should verify desktop and mobile layouts in the target browsers before production launch.
Source review
The prototype draws on the supplied WhatsApp text, all 13 supplied voice notes (machine-translated for review), the website brief, production profiles, latest team PDF and supplied photographs. Voice-note translations can be imperfect; names and roles were reconciled against the written materials.
Additional production and location images were downloaded from the existing InRahi website. Official YouTube thumbnails are packaged locally with their source links in the asset manifest. Source conversations and audio are excluded from this public-facing handoff.
Page inventory
Every destination, linked.
| Page | Prototype file | Purpose / metadata description |
|---|---|---|
| Films, Places & Journeys | index.html | InRahi provides line production, location scouting and production logistics in Himachal Pradesh, Ladakh and across India. |
| About InRahi | about.html | The people and expedition experience behind InRahi Films and Being Out There. |
| Line Production Services | production.html | Location scouting, permissions coordination, crew logistics, transport and line-production management across India. |
| Location scouting & recces | service-location-scouting.html | We translate the creative brief into a location shortlist, supported by photo documentation and an assessment of access, light, staging, accommodation and crew movement. Recces consider how a place will work through a filming day, as well as how it looks. |
| Permissions & local coordination | service-permissions.html | We identify the permissions and local coordination a proposed shoot needs, then work with relevant authorities, property owners and community contacts. Requirements depend on the location and the activity; these are mapped during pre-production. |
| Production planning & budgets | service-production-management.html | We bring schedules, resources, locations and costs into one production plan. Pre-production considers travel time, terrain, local availability and the contingencies a mountain or multi-location shoot needs. |
| Transport & equipment logistics | service-transport-logistics.html | Crew movements and equipment transport are planned around the route, vehicle access and the filming schedule. Regional drivers and transport contacts support road journeys, remote locations and multi-unit production requirements. |
| Crew, accommodation & catering | service-crew-support.html | We coordinate local crew and vendor requirements alongside accommodation and catering. The aim is a practical base for the shoot: appropriate stays, dependable meals and clear daily arrangements for people working on location. |
| Adventure & remote production | service-adventure-production.html | Our roots in expedition planning inform productions involving mountain roads, cycling, rivers and high-altitude locations. We help connect the creative requirements with local expertise, access planning and the operational realities of working outdoors. |
| Our Work — Production Portfolio | work.html | Explore InRahi’s portfolio of television, film and automotive productions across India. |
| MG Majestor | work-mg-majestor.html | Dhananjay Ahluwalia was Associate Producer on the PowerDrift production featuring the MG Majestor Guinness World Record. The film follows the SUV’s train-pull challenge in Jammu & Kashmir. |
| Tata Sierra — Escape Limits | work-tata-sierra.html | The Tata Sierra film featuring the 1.5L TGDi Hyperion engine forms part of InRahi’s recent production portfolio. Watch the complete brand film from Tata Motors. |
| Million Dollar Listing India | work-million-dollar-listing.html | For the Indian adaptation of Million Dollar Listing, the work centred on multi-location production logistics, location scouting and budget oversight. Filming across premium properties in Gurugram and the National Capital Region called for close coordination between locations, crews and production schedules. |
| Star vs Food Survival — Season 2 | work-star-vs-food-2.html | Pre-production research and location recces in Northeast India laid the groundwork for a survival and culinary series spanning Mawsynram, Shoja, Tirthan and Falachan. The assignment brought together location access, crew logistics and coordination between creative and operational teams. |
| Hyundai Live Unleashed — Mountain Biking | work-hyundai-mountain-biking.html | The mountain-biking episode of Live Unleashed paired the Hyundai Creta N Line with Himalayan trails. InRahi’s line-production work covered location scouting, protected-area permissions and mountain logistics, bringing the riding sequences and vehicle filming into a coordinated production plan. |
| Hyundai Live Unleashed — Kayaking | work-hyundai-kayaking.html | The kayaking episode took production to the Tons River Valley and Govind Pashu National Park. River logistics, location access and coordination around athlete safety supported filming in a demanding adventure environment. |
| Kashmir to Kanyakumari | work-kashmir-to-kanyakumari.html | A 60-day expedition across 26 cities and 12 states followed an Ampere electric scooter from Reasi to Kanyakumari. The assignment covered production logistics, filming schedules, permissions and multi-location coordination. The journey produced four episodes and 240 social-media reels. |
| RevZilla / Common Tread — Ladakh | work-revzilla-ladakh.html | The Triumph motorcycle expedition took an American production team into Ladakh’s high-altitude landscapes. Line production supported the crew’s movement, location requirements and action filming, bringing regional knowledge to an international automotive production. |
| Tata Punch — The Himalayan Mail | work-himalayan-mail.html | Pre-production research, mountain logistics and crew coordination supported this automotive story in Spiti Valley. The production required planning around remote roads and the practical demands of filming in the Himalayan cold desert. |
| Mahindra Thar — Celebrating 100K | work-thar-100k.html | A multi-location automotive production moved through Shimla, Kullu and Lahaul. Line production coordinated travel and on-ground execution across changing terrain, supporting the film’s driving sequences and mountain settings. |
| Nanda Devi | work-nanda-devi.html | Location planning and production logistics supported a 15-day thriller-series schedule in the snow-covered surroundings of Sissu and Manali. The work brought crews and resources together for filming in sub-zero conditions. |
| Star vs Food Survival — Spiti | work-star-vs-food-1.html | Research and location recces for the Spiti production supported the integration of survival activities and culinary storytelling. Line production coordinated the logistical and creative requirements of filming in a remote Himalayan environment. |
| Kshamata — The Girl Who Couldn’t Hear No | work-kshamata.html | Line production supported the creative and technical requirements of Shoojit Sircar’s short film. Work included location coordination and securing Northern Railway permissions for filming in the Palampur region. |
| Jeep Meridian | work-jeep-meridian.html | The Jeep Meridian photoshoot brought an automotive production to Sangla Valley. InRahi coordinated the production requirements, aligning the shoot’s locations and logistics with the brand’s visual brief. |
| Gulab | work-gulab.html | For director Sanjoy Nag’s feature film, production planning brought together locations, logistics and the practical needs of the creative team. The Palampur schedule used the region’s landscapes and working locations as part of the film’s visual world. |
| Spike | work-spike.html | The volleyball series required extensive pre-production, scheduling, casting coordination and production logistics. Work included securing permissions during lockdown and coordinating crew, equipment and transport across Palampur, its agricultural university and Parashar Lake. |
| Firefox Bikes | work-firefox.html | Line production managed crews and filming schedules for cycling-led branded content. The assignment moved between Shimla, Narkanda and Chandigarh, supporting action sequences and the wider production requirements. |
| Royal Enfield — All Roads, No Roads | work-royal-enfield.html | The campaign drew on the roads and rugged settings of Daranghati and Kinnaur. Line production coordinated the shoot’s locations and operational requirements to support a visual approach rooted in the outdoors. |
| Tata Safari Adventure | work-safari-adventure.html | The campaign combined the landscapes of Palampur and Pong Wetland with action-led automotive filmmaking. Line production aligned locations, crew requirements and on-ground logistics with the vehicle’s adventure brief. |
| Hyundai i20 N Line | work-i20-n-line.html | The sound-and-handling film used the dramatic setting of the Gata Loops. Line production supported a performance-led campaign, coordinating the practical demands of vehicle filming in a high-altitude landscape. |
| MTV Roadies Revolution | work-roadies.html | A 40-day recce helped establish filming locations across North India for a production with a 300-person crew. The line-production assignment covered travel logistics, crew coordination and activity planning across Rishikesh, Ropar, Garli Paragpur, Mandi and Rewalsar. |
| The Great Escape — Season 3 | work-great-escape-3.html | The travel series with Vishal Dadlani and Sarah Jane Dias moved through Shimla, Narkanda, Tirthan, Parashar Lake, Pong Wetland, Chamba and Amritsar. Production workflows, adventure sequences and location logistics were coordinated across the route. |
| Parchayee — Ghost Stories by Ruskin Bond | work-parchayee.html | Four episodes were filmed in remote rest houses and period bungalows. Location management, resource coordination and casting support helped translate Ruskin Bond’s stories into their screen settings. |
| The Great Escape — Season 2 | work-great-escape-2.html | The adventure travel series explored the route from Shimla towards Spiti. Line production facilitated filming in challenging terrain, coordinating the practical requirements of a journey-led television production. |
| Man vs Job | work-man-vs-job.html | Line production supported an episode of the reality series exploring unusual professions. The assignment coordinated the logistical and creative requirements of filming in Tirthan Valley. |
| MTV Love School — Season 1 | work-love-school.html | Location, budget and schedule coordination supported the first season of MTV Love School at a resort in Himachal Pradesh. The production brought together accommodation, filming spaces and the daily requirements of a reality-show team. |
| Big Switch — Season 4 | work-big-switch.html | Line production managed the logistical requirements of the reality series in Shimla and Dharamshala. The assignment coordinated on-ground operations across the production’s locations. |
| Mission Arctic | work-mission-arctic.html | Mission Arctic marked an important transition from adventure operations into media production. The assignment combined location consultancy, logistical management and creative input into the show’s activities, drawing on deep experience of Himalayan terrain. |
| Filming Locations in India | locations.html | Explore InRahi filming locations in Himachal Pradesh, Ladakh, Spiti, Uttarakhand and across India. |
| Filming in Himachal Pradesh | location-himachal-pradesh.html | From Shimla’s period architecture to Palampur’s tea gardens and Tirthan’s forests, Himachal offers a wide range of visual settings within one region. InRahi’s home base in Shimla supports recces, local coordination and production planning across the state. |
| Filming in Ladakh | location-ladakh.html | Ladakh’s plateaus, lakes and mountain roads offer a distinctive visual language for automotive, travel and documentary work. Planning starts with the realities of altitude, crew movement and remote access, alongside the creative brief. |
| Filming in Spiti & Lahaul | location-spiti-and-lahaul.html | Spiti and Lahaul bring stark valleys, mountain villages and dramatic roads into frame. InRahi’s production experience here spans automotive films, survival television and winter drama. Each recce considers terrain, seasonal access and practical staging. |
| Filming in Uttarakhand | location-uttarakhand.html | From a large reality-show unit in Rishikesh to kayaking production in the Tons River Valley, our work in Uttarakhand draws on local coordination and experience with river and adventure filming. Recces connect the desired landscape with a workable production plan. |
| Filming in Rajasthan & Gujarat | location-rajasthan-and-gujarat.html | Forts, havelis, stepwells and open landscapes offer a different register of Indian locations. Our regional network supports location research and on-ground coordination, including experience from the pan-India K2K expedition. |
| Filming in Northeast India | location-northeast-india.html | Research and recce work for Star vs Food Survival took the team to Meghalaya. Regional associates extend InRahi’s network across West Bengal, Assam and the Northeast, helping turn location possibilities into practical production options. |
| Himalayan Backcountry Map | himalayan-map.html | Explore the hand-drawn Himalayan Backcountry map from InRahi’s archive. |
| People & Network | team.html | Meet InRahi’s founders, operations team, advisors, regional associates and creative collaborators. |
| Dhananjay Ahluwalia — Founder | person-dhananjay-ahluwalia.html | Dhananjay Ahluwalia helped build the foundations of mountain biking and adventure travel in the Indian Himalayas. His work with MTB Himalaya and HASTPA led to Being Out There, a boutique travel and expedition outfit, and later to InRahi’s line-production work. |
| Sheetal Vasudev Ahluwalia — Co-Founder | person-sheetal-vasudev-ahluwalia.html | Sheetal Vasudev Ahluwalia continues the work she shared with her husband, Dhananjay Ahluwalia, as Co-Founder of InRahi. Having been part of his journey, she now carries forward the production legacy and the travel and expedition venture he founded. |
| Karann Sahore — Director, Operations & Travel | person-karann-sahore.html | Karann is an operations and travel professional with experience in expedition planning, logistics, client coordination and destination operations. His background in hospitality and tourism includes adventure expeditions, road journeys and large group movements in the Himalayas. |
| Sukanya Suman Saha — Director, Operations & Production | person-sukanya-suman-saha.html | Sukanya brings eight years of experience in operations and programme management across large events, complex operations and people-intensive initiatives. Her work spans planning, logistics, communications, vendor management, team leadership and on-ground execution. |
| Boishali Sinha — Executive Director, Production Design & Creative | person-boishali-sinha.html | Boishali Sinha is a production designer with experience across more than 25 feature films. Her work brings together visual storytelling, locations, art direction and the creative processes that translate a director’s vision into a world on screen. |
| Sunil Sharma — Director, Adventure & Mountain Experiences | person-sunil-sharma.html | Based in Palampur, Sunil brings more than two decades of experience exploring, hiking, trekking and flying across the Himalayas. He has been a passionate paraglider for over 20 years. |
| Pramod Kumar — National Transport & Logistics Coordinator | person-pramod-kumar.html | Pramod has been an integral part of the team since 2010. He brings extensive experience in transport coordination and on-ground logistics across India. |
| Sanjeev — Field Operations & Travel Coordinator | person-sanjeev.html | Sanjeev supports field operations across travel, expeditions and production assignments. His work includes coordinating people, day-to-day logistics and the practical requirements of teams on location. |
| Gaurav — Lead, Experiences & Operations · Hatha Yoga Teacher | person-gaurav.html | Gaurav is a Hatha Yoga teacher and practitioner with more than seven years of teaching experience. His journey has included Ashtanga and Hatha Yoga, followed by a year-long Gurukulam training in the Himalayan tradition. |
| Mahesh Pathania — Advisor · Government Liaison & Film Facilitation | person-mahesh-pathania.html | Mahesh Pathania brings over 27 years of experience in government communications and public relations. He retired as Additional Director of Information & Public Relations, Government of Himachal Pradesh, and served as Press Secretary to the Chief Minister and the Governor. |
| Ajay Singh — Adventure & Expedition Consultant | person-ajay-singh.html | Ajay contributes experience of the outdoors, expedition environments and high-altitude travel to the InRahi and Being Out There ecosystem. |
| Dhananjay Ahluwalia — A Continuing Legacy | legacy.html | The story of InRahi founder Dhananjay Ahluwalia, from mountain biking and expeditions to line production. |
| Being Out There — Travel, Adventure & Experiences | being-out-there.html | Discover Being Out There, the travel, adventure and experience-led expression within InRahi. |
| Behind the Scenes | gallery.html | See InRahi crews and production locations across the Himalayas and India. |
| Contact InRahi | contact.html | Contact InRahi for line production, filming locations and Being Out There enquiries. |
| Privacy | privacy.html | How enquiry details and external links work in the InRahi prototype. |